I worked on this music video a couple of months ago and the video just dropped today:
I was the key grip on the second day of the two day shoot for this video. Dwight Stone was the key grip on the first day and I used his rigging gear to do the car rigs for the shots with the camera mounted on the outside of the car looking in:
Is the lens on the camera or the camera on the lens?
All credit for this 60’x20′ green screen rig goes to Key Grip Dwight Stone. He came up with the concept and design and led the execution of the thing. He drove the gradall… while flying the 60’x20′. The rest of us on the grip crew were really mostly only there to turn some wrenches and tie some knots.
I was told that this whole getup was for the intro sequence for the TV show “Fairly Legal” but I checked out the first few episodes of the new season and as it turns out, this show doesn’t have an intro sequence. : |
UPDATE: Season 2 Episode 4 has an intro sequence!!
These are some of the car rigs I did as key grip on the feature film Innocence Blood. The hostess tray rig is by Modern Studio Equipment, rented from good old Wooden Nickel Lighting. Wooden Nickel also rents the Matthew’s hostess tray but I prefer Modern’s design for being quicker and easier to work with.
The suction cup and 5/8″ rigging was rented from Dwight Stone a.k.a. “GripNerd” and it’s mostly made up of stuff he got from Modern Studio Equipment. That name sound familiar? Yeah. They’re awesome.
“We need to shoot a million pages in the lead actor’s tiny apartment in three days!!”
Working in the low budget indie world this actually wasn’t the first time I’ve had to deal with a situation like this.
One potential solution to speed things up a big is to hang a temporary lighting grid. Put everything on dimmers. Actors can go everywhere. No light stands to worry about when you turn around. And if you do it right, everything comes down without leaving a trace behind. It’s not perfect — You might not be able to make super fine tweaks and definitely don’t try to look up… but hey you’re trying to move quick so you gotta make some sacrifices somewhere :)
This particular case was on the set of Sun Kim and D.J. Holloway’s SAG ultra-low budget feature Innocence Blood, a film on which I had the great pleasure of serving as key grip along with gaffer Mike Jones and DP Francisco Bulgarelli. And yeah, we were really shooting in the lead actor’s apartment!