- Long Shot
- Front Side
We shot in the parking lot of Hollywood Park racetrack and casino in Inglewood.
- Back Side
60x20 solid rag behind the green screen. Box truss frame. The sand bags are pretty much just for decoration.
- Is the lens on the camera or the camera on the lens?
All credit for this 60’x20′ green screen rig goes to Key Grip Dwight Stone. He came up with the concept and design and led the execution of the thing. He drove the gradall… while flying the 60’x20′. The rest of us on the grip crew were really mostly only there to turn some wrenches and tie some knots.
I was told that this whole getup was for the intro sequence for the TV show “Fairly Legal” but I checked out the first few episodes of the new season and as it turns out, this show doesn’t have an intro sequence. : |
UPDATE: Season 2 Episode 4 has an intro sequence!!
Videos after the break:
So I worked on this Funny or Die video as a grip. Not much else to say about it, really.
- Freakishly tall palm trees!
I believe these trees were planted in the 1940's. I don't think they really thought they would grow this tall. Also that's a Red Epic-M on the hood of a car with questionable brakes. Koreatown, Los Angeles.
I know it's a racist and sexist thing to say but I gotta say it made me nervous hanging the camera so precariously close to so many Korean women drivers!! Meanwhile, the 2nd AC (and owner of the Jeep) nervously looks on from the chase vehicle. Ah, low budget filmmaking!
Koreatown, Los Angeles.
- Me and my rig
and the gaffer rigging lights in the car. The hilarious thing about the "safety cable" on the camera is that the door would fall off the car before the rig fell off the door. But even if somehow the camera fell off the rig, the camera would dent the crap out of the car. Then again, the camera is worth a lot more than the car, lol. 4 Aces Motel, Palmdale, California.
- L-R: Director, DP, 1st AC, camera owner
The one day the owner of the camera decided to show up to the shoot it happened to be the day I was hanging it on the end of a car lol.
These are some of the car rigs I did as key grip on the feature film Innocence Blood. The hostess tray rig is by Modern Studio Equipment, rented from good old Wooden Nickel Lighting. Wooden Nickel also rents the Matthew’s hostess tray but I prefer Modern’s design for being quicker and easier to work with.
The suction cup and 5/8″ rigging was rented from Dwight Stone a.k.a. “GripNerd” and it’s mostly made up of stuff he got from Modern Studio Equipment. That name sound familiar? Yeah. They’re awesome.