Congrats to the all the cast and crew of Innocent Blood (formerly Innocence Blood) a film I worked on a while back as key grip / dolly grip which is going to Cannes! It’s not an official selection of the Cannes Film Festival but it is screening as part of Le Marché du Film, the festival’s film market.
The film is being represented by Striped Entertainment and it will be screening this Friday at 11:30 AM at Main Building Palais-Stand Lérins S6, so if you happen to be in the neighborhood. Check it out!
Freakishly tall palm trees! I believe these trees were planted in the 1940's. I don't think they really thought they would grow this tall. Also that's a Red Epic-M on the hood of a car with questionable brakes. Koreatown, Los Angeles.
K-Town I know it's a racist and sexist thing to say but I gotta say it made me nervous hanging the camera so precariously close to so many Korean women drivers!! Meanwhile, the 2nd AC (and owner of the Jeep) nervously looks on from the chase vehicle. Ah, low budget filmmaking!
Koreatown, Los Angeles.
Me and my rig and the gaffer rigging lights in the car. The hilarious thing about the "safety cable" on the camera is that the door would fall off the car before the rig fell off the door. But even if somehow the camera fell off the rig, the camera would dent the crap out of the car. Then again, the camera is worth a lot more than the car, lol. 4 Aces Motel, Palmdale, California.
L-R: Director, DP, 1st AC, camera owner The one day the owner of the camera decided to show up to the shoot it happened to be the day I was hanging it on the end of a car lol.
These are some of the car rigs I did as key grip on the feature film Innocence Blood. The hostess tray rig is by Modern Studio Equipment, rented from good old Wooden Nickel Lighting. Wooden Nickel also rents the Matthew’s hostess tray but I prefer Modern’s design for being quicker and easier to work with.
The suction cup and 5/8″ rigging was rented from Dwight Stone a.k.a. “GripNerd” and it’s mostly made up of stuff he got from Modern Studio Equipment. That name sound familiar? Yeah. They’re awesome.
“We need to shoot a million pages in the lead actor’s tiny apartment in three days!!”
Working in the low budget indie world this actually wasn’t the first time I’ve had to deal with a situation like this.
One potential solution to speed things up a big is to hang a temporary lighting grid. Put everything on dimmers. Actors can go everywhere. No light stands to worry about when you turn around. And if you do it right, everything comes down without leaving a trace behind. It’s not perfect — You might not be able to make super fine tweaks and definitely don’t try to look up… but hey you’re trying to move quick so you gotta make some sacrifices somewhere :)
This particular case was on the set of Sun Kim and D.J. Holloway’s SAG ultra-low budget feature Innocence Blood, a film on which I had the great pleasure of serving as key grip along with gaffer Mike Jones and DP Francisco Bulgarelli. And yeah, we were really shooting in the lead actor’s apartment!