I worked on this music video a couple of months ago and the video just dropped today:
I was the key grip on the second day of the two day shoot for this video. Dwight Stone was the key grip on the first day and I used his rigging gear to do the car rigs for the shots with the camera mounted on the outside of the car looking in:
Freakishly tall palm trees! I believe these trees were planted in the 1940's. I don't think they really thought they would grow this tall. Also that's a Red Epic-M on the hood of a car with questionable brakes. Koreatown, Los Angeles.
K-Town I know it's a racist and sexist thing to say but I gotta say it made me nervous hanging the camera so precariously close to so many Korean women drivers!! Meanwhile, the 2nd AC (and owner of the Jeep) nervously looks on from the chase vehicle. Ah, low budget filmmaking!
Koreatown, Los Angeles.
Me and my rig and the gaffer rigging lights in the car. The hilarious thing about the "safety cable" on the camera is that the door would fall off the car before the rig fell off the door. But even if somehow the camera fell off the rig, the camera would dent the crap out of the car. Then again, the camera is worth a lot more than the car, lol. 4 Aces Motel, Palmdale, California.
L-R: Director, DP, 1st AC, camera owner The one day the owner of the camera decided to show up to the shoot it happened to be the day I was hanging it on the end of a car lol.
These are some of the car rigs I did as key grip on the feature film Innocence Blood. The hostess tray rig is by Modern Studio Equipment, rented from good old Wooden Nickel Lighting. Wooden Nickel also rents the Matthew’s hostess tray but I prefer Modern’s design for being quicker and easier to work with.
The suction cup and 5/8″ rigging was rented from Dwight Stone a.k.a. “GripNerd” and it’s mostly made up of stuff he got from Modern Studio Equipment. That name sound familiar? Yeah. They’re awesome.