Desert Roadkill, a short I shot with Writer/Director Michael Carreño is blowing up on the festival circuit and getting a lot of attention!
So far we’ve gotten into:
Shockfest; Hollywood, CA (Nominated: Best Cinematographer Bryan Hong; Best Short; Shocker Award)
Mile High Horror Film Fest; Denver, CO
New York International Latino Film Festival; NYC
Scarlet Waters Film Festival; Austin, TX (Winner: Best Actor Alejandro Patino; Best Actress Jossara Jinaro)
San Antonio Horrific Film Fest; San Antonio, TX (Nominated: Best Short; Best Actor Alejandro Patino; Best Actress Jossara Jinaro)
Everybody Dies Film Festival; Brea, CA (Winner: Audience Choice Short)
L.A. Reel Film Fest; Los Angeles (Honorable Mention)
Nevermore Film Fest; Durham, NC
Horrible Imaginings Film Festival; San Diego, CA
Riverside International Film Fest; Riverside, CA (Honorable Mention)
Desert Rocks Film and Music Event; Victorville, CA
Late Night Horror Film Festival ; Whittier, CA
Here’s another Funny or Die video I worked on as best boy grip along with key grip Dwight Stone. Almost 200,000 views so far… It’s nice to have gotten to work on something that people have actually seen, haha.
- Long Shot
- Front Side
We shot in the parking lot of Hollywood Park racetrack and casino in Inglewood.
- Back Side
60x20 solid rag behind the green screen. Box truss frame. The sand bags are pretty much just for decoration.
- Is the lens on the camera or the camera on the lens?
All credit for this 60’x20′ green screen rig goes to Key Grip Dwight Stone. He came up with the concept and design and led the execution of the thing. He drove the gradall… while flying the 60’x20′. The rest of us on the grip crew were really mostly only there to turn some wrenches and tie some knots.
I was told that this whole getup was for the intro sequence for the TV show “Fairly Legal” but I checked out the first few episodes of the new season and as it turns out, this show doesn’t have an intro sequence. : |
UPDATE: Season 2 Episode 4 has an intro sequence!!
Videos after the break:
So I worked on this Funny or Die video as a grip. Not much else to say about it, really.
- Freakishly tall palm trees!
I believe these trees were planted in the 1940's. I don't think they really thought they would grow this tall. Also that's a Red Epic-M on the hood of a car with questionable brakes. Koreatown, Los Angeles.
I know it's a racist and sexist thing to say but I gotta say it made me nervous hanging the camera so precariously close to so many Korean women drivers!! Meanwhile, the 2nd AC (and owner of the Jeep) nervously looks on from the chase vehicle. Ah, low budget filmmaking!
Koreatown, Los Angeles.
- Me and my rig
and the gaffer rigging lights in the car. The hilarious thing about the "safety cable" on the camera is that the door would fall off the car before the rig fell off the door. But even if somehow the camera fell off the rig, the camera would dent the crap out of the car. Then again, the camera is worth a lot more than the car, lol. 4 Aces Motel, Palmdale, California.
- L-R: Director, DP, 1st AC, camera owner
The one day the owner of the camera decided to show up to the shoot it happened to be the day I was hanging it on the end of a car lol.
These are some of the car rigs I did as key grip on the feature film Innocence Blood. The hostess tray rig is by Modern Studio Equipment, rented from good old Wooden Nickel Lighting. Wooden Nickel also rents the Matthew’s hostess tray but I prefer Modern’s design for being quicker and easier to work with.
The suction cup and 5/8″ rigging was rented from Dwight Stone a.k.a. “GripNerd” and it’s mostly made up of stuff he got from Modern Studio Equipment. That name sound familiar? Yeah. They’re awesome.
“We need to shoot a million pages in the lead actor’s tiny apartment in three days!!”
Working in the low budget indie world this actually wasn’t the first time I’ve had to deal with a situation like this.
One potential solution to speed things up a big is to hang a temporary lighting grid. Put everything on dimmers. Actors can go everywhere. No light stands to worry about when you turn around. And if you do it right, everything comes down without leaving a trace behind. It’s not perfect — You might not be able to make super fine tweaks and definitely don’t try to look up… but hey you’re trying to move quick so you gotta make some sacrifices somewhere :)
This particular case was on the set of Sun Kim and D.J. Holloway’s SAG ultra-low budget feature Innocence Blood, a film on which I had the great pleasure of serving as key grip along with gaffer Mike Jones and DP Francisco Bulgarelli. And yeah, we were really shooting in the lead actor’s apartment!
Video after the jump.
Desert Roadkill Poster
Desert Roadkill, a short I shot with Writer/Director Michael Carreño is playing at the Nevermore Film Festival at the Carolina Theater in Durham, NC on February 18th and 19th, 2012!
Hopefully this will be the first of many festivals for this fun little film! Congrats to all the cast and crew, especially to Al… this was really your baby.
“Desert Roadkill” will be playing as part of the “They’re Coming to Get You, Barbara!” program of shorts on Saturday, February 18th at 4:20pm and on Sunday, February 19th at 12:10pm.
I’m redoing my website.
You can still find the old blog (which hadn’t been updated in over a year) at blog.twentysix.net for now. I don’t know what to do with the really really old stuff, but it’s gone for now.
I’m still trying to figure out how to organize all the different aspects of my life into one site so I’ll be adding here and there when I can. Eventually sections for personal pictures and videos should appear… as well as something for my video gaming alter ego, the Grove Street Gambler.
These are some car rigs I helped Key Grip Dwight Stone build on a spec commercial shoot by Josh Day back in November 2011. I’m pretty sure this was my first Arri Alexa shoot.
Videos after the jump.
- My GoPro is all ready to go! Oh yeah and the Alexa, too.
- Door rig that didn't end up in the final cut